This allows for days, weeks, and years to vanish, and disallows any letup in the pace. It’s both blurry and abrupt – whenever anyone says the word “later,” the play then jumps immediately forward to that later point and continues. The key literary device that Arbery utilizes is a cross between a cross-fade and smash cut (in cinematic terms). This sense of clarity amid abstraction holds largely true throughout, a credit to director Taylor Reynolds, who has grounded each performance and moment with enough reality that the continuous river of frenetic verbiage doesn’t untether itself from the action. The conditions surrounding all this are not made explicit, but they don’t have to be – the stakes are quite clear regardless of the actual situation. Eventually, a fourth woman – the mother of these sisters (played by Mary Shultz) – makes unexpected and delightfully weird landfall, but seems to be running from either a dead husband or all of mankind. One is “married to God,” but then gets haunted by a faceless ghost-man who keeps her contained onstage in a state of limbo and confused sainthood. One is about to be divorced (by a man who gets lost in Plano while simultaneously appearing in her home as a zombie-version of himself who can’t be killed). One is about to be married (to a probably gay man who is always “going to Plano” and never seems to fully return). Rosado, Ryan King, and Brendan Dalton) in their lives. The main structure presents three sisters (played by Crystal Finn, Miriam Silverman, and Susannah Flood) who are reckoning with the fragments of the men (Cesar J. The play itself features a rather dense environment, reminiscent both of the nightmare logic of a David Lynchian world coupled with the bleak existential humor of Will Eno, but played at hyper-speed, as though the inhabitants of the play popped a couple of Ritalin pills just before the lights went up. Reborn into fragmentary versions of one’s self and redistributed across theĬountry, each fragment haunting – specifically, A place to die? As an individual, perhaps – but then one is Mind, a slide into subconscious, an implosion of self that results in Interpretation): A blank place that (men?) go to split into pieces. The Play’s Plano (my interpretation of Will Arbery’s There is so much nothing there that it turns into something. A place of emptiness, but also – strangely – a sort of peaceful #Susannah flood talks about gay character full#If you’ve ever been to Plano, Texas, you’ll have some sense of what playwright Will Arbery is wrestling with in his new play, also called Plano, which runs through May 11 th at the Connelly Theater in the return engagement of the Clubbed Thumb production (first seen in short form as part of Winterworks in 2018, then in full for Summerworks of the same year).Īctual Plano (my interpretation): A conflagration ofĬorporate headquarters, separated into campuses, each with a few hotels.Ĭhinese restaurants in strip malls.
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